Velocity 2X Review (Nintendo Switch)

 

It seems like yesterday that a Playstation mini game by the name of Velocity caused a real stir on Sony’s machines. A Vita and PS3 native release followed and garnered even more wide spread praise. What followed was Velocity 2X delivering the promise of more intense action and the ability to control our hero Kai in platform levels. But does the game hold up in its move to the Switch?

Remembering back to Urban Strike and the gimmick of being able to get out of the helicopter we initially were nervous about how this would all play out. Needless to say we shouldn’t have worried as Futurlab have certainly done a great job of merging two different genres together (even if they don’t perhaps fit one-hundred percent seamlessly).

For the uninitiated, the original Velocity is a vertically scrolling shooter with some puzzle elements thrown in. The sequel follows the same format and also has the same set of mission styles. Critical urgency missions need to be raced through as quickly as possible, rescue missions require stranded SOS pods to be picked up and combat missions are heavy on the blasting.

The game has also had a bit of a redesign and visual upgrade from the original. What this boils down to is everything looks much more detailed and colourful and there are lots of pretty neon effects and explosion particles to keep you visually stimulated. The music remains of an excellent quality as well and is the perfect accompaniment to the on screen action. Futurlab certainly does know how to present its games and it really helps to immerse players into the experience.

The ship also controls in pretty much the same way with new abilities being unlocked as you progress. Soon you’ll be flinging bombs with the analogue stick and teleporting all over the screen much like before and all at a thousand miles-per-hour. Most of the later levels require intricate placement of teleport pods which allow you to move back and forth around the map as different switches are often required to be destroyed in numerical order. This then removes force fields which would otherwise fry you to crisp.

The biggest change to the core formula is that you now need to dock your ship and go after certain switches on foot. During these sections you also need to collect energy crystals which are only found on the side scrolling platform levels. Kai handles much like her ship does with the ability to teleport and shoot much in the same way. You can also slide and sprint which turns it into quite a large homage to Amiga games like Zool. Later you’ll get the ability to throw teleport balls around which will be familiar to anyone who has played Flashback.

It’s important to say that the platforming definitely has an Amiga feel to it. Despite what you might get from the screen shots this is not like a Metroid or Prince of Persia style of game. The levels are, like the outside sections, built for speed and you’ll soon get to grips with the nature of how to approach them.

Adding the on foot sections does make the levels somewhat longer than in the original Velocity. Although you’ll soon be bounding through near the three minute mark a couple of them held us up for over ten minutes. When this happens the magic does begin to wear off a little as the true appeal of the game is blitzing through everything at lightning speed. In short though, the sections do work. They aren’t quite as glorious as the vertical space action but they are an enjoyable and free flowing addition that manages to fit into the core game.

There are also a few boss battles thrown in now for good measure. Every now and then at the end of a level you’ll have to engage with a big enemy ship filling the screen with bullets. It’s as close to bullet hell as Velocity has ever got and it adds another dimension to the game. The encounters are implemented well and are placed sparingly enough to never become tiresome.

The only real niggle we have is that you need to gain a certain amount of experience to unlock each level. This isn’t an issue until you get up into the forties but having to continually go back and improve scores and times on earlier levels can grind the game to halt. When you have to go and play five or six levels to unlock level 43 and then do it again for level 44 and so on, it can get a bit tiresome. For a game based on fluidity and speed it’s a rare oversight, especially when you consider that most gamers will likely go straight back into the game after finishing it to beat their scores anyway.

Overall, if you liked Velocity then you should like this as well. It does pretty much everything right and provides just as big a buzz as the original. It may not be as pure in terms of its focus but everything works very well and it stands as one of the best and most unique action games on the Switch. The original was one of the greatest indie games of the modern era and this comes pretty damn close to it in just about every way.

Overall 8/10

Velocity 2X Review (PS Vita)

It seems like yesterday that a Playstation mini game by the name of Velocity caused a real stir on Sony’s machines. A Vita and PS3 native release followed and garnered even more wide spread praise. Now we have Velocity 2X to dive into with the promise of more intense action and the ability to control our hero Kai in platform levels. 

Remembering back to Urban Strike and the gimmick of being able to get out of the helicopter we initially were nervous about how this would all play out. Needless to say we shouldn’t have worried as Futurlab have certainly done a great job of merging two different genres together (even if they don’t perhaps fit one-hundred percent seamlessly).

For the uninitiated, the original Velocity is a vertically scrolling shooter with some puzzle elements thrown in. The sequel follows the same format and also has the same set of mission styles. Critical urgency missions need to be raced through as quickly as possible, rescue missions require stranded SOS pods to be picked up and combat missions are heavy on the blasting. 

The game has also had a bit of a redesign and visual upgrade. What this boils down to is everything looks much more detailed and colourful and there are lots of pretty neon effects and explosion particles to keep you visually stimulated. The music remains of an excellent quality as well and is the perfect accompaniment to the on screen action. Futurlab certainly does know how to present its games and it really helps to immerse players into the experience.

The ship also controls in pretty much the same way with new abilities being unlocked as you progress. Soon you’ll be flinging bombs with the analogue stick and teleporting all over the screen much like before and all at a thousand miles-per-hour. Most of the later levels require intricate placement of teleport pods which allow you to move back and forth around the map as different switches are often required to be destroyed in numerical order. This then removes force fields which would otherwise fry you to crisp.

The biggest change to the core formula is that you now need to dock your ship and go after certain switches on foot. During these sections you also need to collect energy crystals which are only found on the side scrolling platform levels. Kai handles much like her ship does with the ability to teleport and shoot much in the same way. You can also slide and sprint which turns it into quite a large homage to Amiga games like Zool. Later you’ll get the ability to throw teleport balls around which will be familiar to anyone who has played Flashback. 

It’s important to say that the platforming definitely has an Amiga feel to it. Despite what you might get from the screen shots this is not like a Metroid or Prince of Persia style of game. The levels are, like the outside sections, built for speed and you’ll soon get to grips with the nature of how to approach them.

Adding the on foot sections does make the levels somewhat longer than in the original Velocity. Although you’ll soon be bounding through near the three minute mark a couple of them held us up for over ten minutes. When this happens the magic does begin to wear off a little as the true appeal of the game is blitzing through everything at lightning speed. In short though, the sections do work. They aren’t quite as glorious as the vertical space action but they are an enjoyable and free flowing addition that manages to fit into the core game. 

There are also a few boss battles thrown in now for good measure. Every now and then at the end of a level you’ll have to engage with a big enemy ship filling the screen with bullets. It’s as close to bullet hell as Velocity has ever got and it adds another dimension to the game. The encounters are implemented well and are placed sparingly enough to never become tiresome.

The only real niggle we have is that you need to gain a certain amount of experience to unlock each level. This isn’t an issue until you get up into the forties but having to continually go back and improve scores and times on earlier levels can grind the game to halt. When you have to go and play five or six levels to unlock level 43 and then do it again for level 44 and so on, it can get a bit tiresome. For a game based on fluidity and speed it’s a rare oversight, especially when you consider that most gamers will likely go straight back into the game after finishing it to beat their scores anyway.

Overall, if you liked Velocity then you should like this as well. It does pretty much everything right and provides just as big a buzz as the original. It may not be as pure in terms of its focus but everything works very well and it stands as one of the best games on the network. The original was one of the greatest games of the modern era and this comes pretty damn close to it in just about every way.

Overall 8/10

Velocity Ultra Review (PC)

For a long time the PlayStation minis have represented bite sized chunks of cheap fun, ideally suited to the pick up and play mechanics offered by first the PSP and then the PlayStation Vita. However, though fun, many have been nothing more than attempts to replicate games often found on the iOS and Android systems. Velocity represented a departure from this and in doing so created a new standard for what can be achieved with a mini

With Velocity Ultra, FuturLab have taken the original game and upped the level of the presentation to try and make it a standout game in its own right. What they have managed to create is the greatest vertically scrolling shooter from yesteryear that you haven’t yet played. But to merely categorise it as a shooter is doing it a disservice. At its heart there are so many different mechanics going on that it’s something with much more depth than that.

Each of the fifty levels (plus Bonus stages), requires players to juggle with a number of different objectives. First of all, players must blast enemies and simply survive in classic shooter style. Secondly, there are pods spread around the level containing survivors which need to be rescued and last but not least each level is a deadly race to the finish as a clock continually counts down. As you progress the focus changes in each stage with, for example, a static comic book style screen popping up displaying a message to tell you if you can take your time or need to boost through until the end.

It is within the mix of these games mechanics that things become very interesting. Aside from the usual weapon power ups and bombs your ship can also teleport. The levels often descend into crazy scrolling mazes with dead ends, when this happens you need to teleport into a clear section of the level to continue. Holding the right trigger button also speeds up your craft as it moves up the level. This leads to many levels turning into more of a maze race than a shooter, especially when the time limits are set incredibly tightly.

This would be hectic enough but there are even more fiendish things afoot. At a certain point players gain the ability to drop teleport pods. Sometimes these are infinite and sometimes highly limited in use. This allows the player to teleport back to any one of the pods they have dropped and continue the level from there. The reason you need this is because at higher levels there are complex laser shield defence systems that need to be deactivated. This generally consist of anywhere between ten and thirty colour coded nodes that need to be destroyed in numerical order from lowest to highest. Hit one in the wrong order and the whole grid reactivates.

The nodes are of course spread out all over the levels requiring the playing to bounce back and forth around the map to hit them in the right order. There can also be numerous sets of nodes, all in different colours. Couple this with the continued threat of enemies, the time limit and the need to rescue survivors and everything gets incredibly, addictively hectic. Oh and of course hitting any of the laser shields results in instant destruction.

As well as this there are hidden areas spread around the levels that unlock trophies and further bonus missions. This, along with a tough medal grading system based on your performance means there is a staggering about of replay value in the game. Just in case that isn’t enough for you there is also a complete version of mine sweeper and a few takes on classic games such as thrust hidden away in the extras section.

Velocity Ultra has made the transition from Sony’s handheld remarkably well. The visuals spring to life on HD displays and the music has never sounded better. Velocity Ultra is a must have game but there isn’t anything here that wasn’t in the other versions, so some may well think twice before buying it again. But put up against the wealth of talent available on the PC this still shines incredibly brightly.

We’ve said before that if this had been made on the eight or sixteen bit consoles it would be lauded as an all-time classic. This is still about as essential as you can get and shows an imagination, design level and craft that many of the industries big hitters could learn from. For PC gamers who haven’t experienced the game before it’s an absolute must buy.

9/10

Velocity Ultra Review (PS3)

For a long time the PlayStation minis have represented bite sized chunks of cheap fun, ideally suited to the pick and play mechanics offered by first the PSP and then the PlayStation Vita. However, though fun, many have been nothing more than attempts to replicate games often found on the iOS and Android systems. Velocity represented a departure from this and in doing so created a new standard for what can be achieved with a mini.

With Velocity Ultra, FuturLab have taken the original game and upped the level of the presentation to try and make it a Playstation 3 game in its own right. What they have managed to create is the greatest vertically scrolling shooter from yesteryear that you haven’t yet played. But to merely categorise it as a shooter is doing it a disservice. At its heart there are so many different mechanics going on that it’s something with much more depth than that.

Each of the fifty levels (plus Bonus stages), requires players to juggle with a number of different objectives. First of all, players must blast enemies and simply servive in classic shooter style. Secondly, there are pods spread around the level containing survivors which need to be rescued and last but not least each level is a deadly race to the finish as a clock continually counts down. As you progress the focus changes in each stage with, for example, a static comic book style screen popping up displaying a message to tell you if you can take your time or need to boost through until the end.

It is within the mix of these games mechanics that things become very interesting. Aside from the usual weapon power ups and bombs your ship can also teleport. The levels often descend into crazy scrolling mazes with dead ends, when this happens you need to teleport into a clear section of the level to continue. Holding the right trigger button also speeds up your craft as it moves up the level. This leads to many levels turning into more of a maze race than a shooter, especially when the time limits are set incredibly tightly.

This would be hectic enough but there are even more fiendish things afoot. At a certain point players gain the ability to drop teleport pods. Sometimes these are infinite and sometimes highly limited in use. This allows the player to teleport back to any one of the pods they have dropped and continue the level from there. The reason you need this is because at higher levels there are complex laser shield defence systems that need to be deactivated. This generally consist of anywhere between ten and thirty colour coded nodes that need to be destroyed in numerical order from lowest to highest. Hit one in the wrong order and the whole grid reactivates.

The nodes are of course spread out all over the levels requiring the playing to bounce back and forth around the map to hit them in the right order. There can also be numerous sets of nodes, all in different colours. Couple this with the continued threat of enemies, the time limit and the need to rescue survivors and everything gets incredibly, addictively hectic. Oh and of course hitting any of the laser shields results in instant destruction.

As well as this there are hidden areas spread around the levels that unlock trophies and further bonus missions. This, along with a tough medal grading system based on your performance means there is a staggering about of replay value in the game. Just in case that isn’t enough for you there is also a complete version of mine sweeper and a few takes on classic games such as thrust hidden away in the extras section.

Velocity Ultra has made the transition from handheld to console remarkably well. The visuals spring to life on HD displays and the music has never sounded better. Velocity Ultra is a must have game but there isn’t anything here that wasn’t in the Vita version, so some may well think twice before buying it again. It’s a shame the title isn’t cross buy, but more of a shame that it doesn’t have cross save functionality. Many Playstation network games now offer up these functions as standard so it’s something we can’t ignore.

We’ve said before that if this had been made on the eight or sixteen bit consoles it would be lauded as an all-time classic. This is still about as essential as you can get and shows an imagination, design level and craft that many of the industries big hitters could learn from. For PS3 gamers without a Vita it’s a must buy, the rest of us might be better looking to Velocity 2X though.

9/10

Velocity Ultra Review (PS Vita)

For a long time the PlayStation minis have represented bite sized chunks of cheap fun, ideally suited to the pick and play mechanics offered by first the PSP and then the PlayStation Vita. However, though fun, many have been nothing more than attempts to replicate games often found on the iOS and Android systems. Velocity represented a departure from this and in doing so created a new standard for what can be achieved with a mini.

With Velocity Ultra, FuturLab have taken the original game and upped the level of the presentation to make it seem a perfect fit for the Playstation Vita. What they have managed to create is the greatest vertically scrolling shooter from yesteryear that you haven’t yet played. But to merely categorise it as a shooter is doing it a disservice. At its heart there are so many different mechanics going on that it’s something with much more depth than that.

Each of the fifty levels (plus Bonus stages), requires players to juggle with a number of different objectives. First of all, players must blast enemies and simply service in classic shooter style. Secondly, there are pods spread around the level containing survivors which need to be rescued and last but not least each level is a deadly race to the finish as a clock continually counts down. As you progress the focus changes in each stage with, for example, a static comic book style screen popping up displaying a message to tell you if you can take your time or need to boost through until the end.

It is within the mix of these games mechanics that things become very interesting. Aside from the usual weapon power ups and bombs your ship can also teleport. The levels often descend into crazy scrolling mazes with dead ends, when this happens you need to teleport into a clear section of the level to continue. Holding the right trigger button also speeds up your craft as it moves up the level. This leads to many levels turning into more of a maze race than a shooter, especially when the time limits are set incredibly tightly.

New for the Vita version is the ability to teleport using the touch screen. We found it a little tricky compared to suing the analogue stick. Seemingly so did Futurlab but because fans asked for it the option was left in for those that want to try their hand at using it.

This would be hectic enough but there are even more fiendish things afoot. At a certain point players gain the ability to drop teleport pods. Sometimes these are infinite and sometimes highly limited in use. This allows the player to teleport back to any one of the pods they have dropped and continue the level from there. The reason you need this is because at higher levels there are complex laser shield defence systems that need to be deactivated. This generally consist of anywhere between ten and thirty colour coded nodes that need to be destroyed in numerical order from lowest to highest. Hit one in the wrong order and the whole grid reactivates.

The nodes are of course spread out all over the levels requiring the playing to bounce back and forth around the map to hit them in the right order. There can also be numerous sets of nodes, all in different colours. Couple this with the continued threat of enemies, the time limit and the need to rescue survivors and everything gets incredibly, addictively hectic. Oh and of course hitting any of the laser shields results in instant destruction.

As well as this there are hidden areas spread around the level that unlock trophies and further bonus missions. This, along with a tough medal grading system based on your performance within the level means there is a staggering about of replay value in the game. Just in case that isn’t enough for you there is also a complete version of mine sweeper and a few takes on classic games such as thrust hidden away in the extras section.

Velocity Ultra is an exceptional and in many ways ground breaking game. It was always simply too good to stay a mini and perhaps should have made the jump straight to Vita in the first place. In truth, Velocity Ultra is a must have game. There isn’t much here aside from improved presentation to set it aside from it’s Mini counterpart but it currently stands as one of the best games available on the PlayStation Vita and we can’t see this changing any time soon.

In short it was a classic mini and now it’s a classic Vita game. We said before that if this had been made on the eight or sixteen bit consoles it would be lauded as an all-time classic and we see have seen nothing since to change that opinion. This is still about as essential as you can get and shows an imagination, design level and craft that many of the industries big hitters could learn from.

10/10

Velocity Review (Playstation Mini)

For a long time the PlayStation minis have represented bite sized chunks of cheap fun, ideally suited to the pick and play mechanics offered by the first the PSP and then the PlayStation Vita. However, though fun, many have been nothing more than attempts to replicate games often found on the iOS and Android systems. Velocity represents a departure from this and in doing so has created a new standard for what can be achieved with a mini.

With Velocity, FuturLab have managed to create the greatest vertically scrolling shooter from yesteryear that you haven’t yet played. But to merely categorise it as a shooter is doing it a disservice. At its heart there are so many different mechanics going on that it is something with much more depth than that.

Each of the fifty levels (plus Bonus stages), requires players to juggle with a number of different objectives. First of all, players must blast enemies and simply service in classic shooter style. Secondly, there are pods spread around the level containing survivors which need to be rescued and last but not least each level is a deadly race to the finish as a clock continually counts down.

So far so standard, but it is within the games mechanics that things become very interesting. Aside from the usual weapon power ups and bombs your ship can also teleport. The levels often descend into crazy scrolling mazes with dead ends, when this happens you need to teleport into a clear section of the level to continue. Holding the right trigger button also speeds up your craft as it moves up the level. This leads to many levels turning into more of a maze race than a shooter, especially when the time limits are set incredibly tightly.

This would be hectic enough but there are even more fiendish things afoot. At a certain point players gain the ability to drop teleport pods. Sometimes these are infinite and sometimes highly limited in use. This allows the player to teleport back to any one of the pods they have droped and continue the level from there. The reason you need this is because at higher levels there are complex laser shield defence systems that need to be deactivated. This generally consist of ten or so colour coded nodes that need to be destroyed in numerical order from lowest to highest. Hit one in the wrong order and the whole grid reactivates.

The nodes are of course spread out all over the levels requiring the playing to bounce back and forth around the map to hit them in the right order. There can also be numerous sets of nodes, all in different colours. Couple this with the continued threat of enemies and the need to rescue survivors and complete the mission in the time limit and everything gets incredibly, addictively hectic. Oh and of course hitting any of the laser shields results in instant destruction.

As well as this there are hidden areas spread around the level which unlock trophies and further bonus missions. This, along with a tough medal grading system based on your performance within the level means there is a staggering about of replay value in the game. Just in case that isn’t enough for you there is also a complete version of mine sweeper hidden away in the extras section.

Velocity is an exceptional and in many ways ground breaking game. To call it the best mini out there is doing it a disservice. In truth, Velocity is a must have game on whatever system you can get it on. It currently stands as one of the best games available on the PlayStation Vita and we can’t see this changing any time soon. In short it’s a classic; it’s cheap and if this had been made on the eight or sixteen bit consoles it would be lauded as an all-time classic. Absolutely, positively essential and there aren’t many games you can say that about.

10/10