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Showing posts with label Shovel Knight. Show all posts
Showing posts with label Shovel Knight. Show all posts

Monday, 16 September 2024

Shovel Knight Dig Review (Switch)


 Review by Thomas G.J. Sharpe

Shovel Knight Dig joins a small, but compelling, coterie of games that plunge down ‘tward the core like in that film where a group of scientists go to the centre of the earth to restart it with nukes, but the name escapes me.

Dig is on one hand really familiar territory. Blue Knight is back with his sort of unflappable-yet-flailing charm. The moveset is pretty much the same, as it has been, since Shovel of Hope, but there’s an emphasis on the digging (deeply unsurprising). You’re urged downward, making the most of Blue’s Duck Tails-esque pogo-shovel jump attack. Enough is changed by this 90-degree clockwise spin rotate, to give a fun, if short, addition to the series. Unlike Downwell, for instance, you are not in free fall. And unlike Raising Hell, you’re not going up. There is still a “room” quality to the progression. You go down, dig, collect loot, traverse environmental traps, shovel enemies, and that’s about it. Occasionally there are bosses to cap off sections, where you get a choice of two paths. Also, shops to change your loadout and thus alter your stats, help to give some purpose to the greed.

It is important to stress that this has rogue-lite elements to it. A persistent hub area with a host of wonderfully realised characters (by far, to me, the crowning glory of the series is the character design, animation, and writing). You collect armour sets, trade in gems for relics, and therefore have some control over your gameplay feel. This is, admittedly, quite thin, as the level traversal is the real loop here. And by loop, yeah, you go back into the hole in the ground caused by the schemes of (checks notes) Drill Knight, to pursue him and your pilfered loot, over and over until you get to the end. I haven’t gotten to the end, but all reports I have read seem to suggest a reasonably short experience of around five hours if you slightly backseated a 100% completion of collectibles, and were any good at it. I, for one, am not enhanced in my ability to play platformers whichever way the action in the game is moving toward, be it down, up, or the traditional right.

The game was responsive, looked great, and sounded superb. Another highlight of this series is the music, and this is no exception. Shovel Knight has consistently managed to find that sweet spot of nostalgia and newness, evoking something at once familiar and yet not tired, or second-hand. With a toe dipped into the one-more-round paddling pool, there is a different motivation than a traditional level-beating goal. It puts a lot of the load onto the satisfaction of competency through iteration. If you must repeat sections (however differently randomised) you get a keen sense of your change as a player. Part of my love of Hades for instance, was the creeping skill wall. The risk is, perhaps, how this sense of progression is felt by the player, and those permanent upgrades do help, but sometimes short play time can do it too. I will see where the load shifts to, or whether the pursuit of collectibles rears its strange head.

All in all, Dig is as consistent, enjoyable, and effective as ever. I consider these games to be a part of the high-water mark of the new platforming set. With the exemplary visual design, they’re not afraid to try these twists, like Pocket Dungeon, to capture a whole new way to engage with their gorgeous world and loveable characters.

Overall 8/10

Monday, 17 October 2022

Shovel Knight Dig Review (Steam)

 

Review by Thomas G.J. Sharpe

It seemed inevitable, prefigured, or maybe just good ol’, home-farmed, shruggy-shouldered bad luck, that my down cursor key on my Logitech G213 keyboard (the closest I ever want to get to any sort of “gamer” designed peripheral) decided to become 50% less responsive. Being someone that avoids controllers as much as possible, it had to be Yacht Club/Nitrome’s downward themed Shovel Knight that I was meant to be playing. Shovel Knight Dig joins a small, but compelling, coterie of games that plunge down ‘tward the core like in that film where a group of scientists go to the centre of the earth to restart it with nukes, but the name escapes me.

Dig is on one hand really familiar territory. Blue Knight is back with his sort of unflappable-yet-flailing charm. The moveset is pretty much the same, as it has been, since Shovel of Hope, but there’s an emphasis on the digging (deeply unsurprising). You’re urged downward, making the most of Blue’s Duck Tails-esque pogo-shovel jump attack. Enough is changed by this 90-degree clockwise spin rotate, to give a fun, if short, addition to the series. Unlike Downwell, for instance, you are not in free fall. And unlike Raising Hell, you’re not going up. There is still a “room” quality to the progression. You go down, dig, collect loot, traverse environmental traps, shovel enemies, and that’s about it. Occasionally there are bosses to cap off sections, where you get a choice of two paths. Also, shops to change your loadout and thus alter your stats, help to give some purpose to the greed.

It is important to stress that this has rogue-lite elements to it. A persistent hub area with a host of wonderfully realised characters (by far, to me, the crowning glory of the series is the character design, animation, and writing). You collect armour sets, trade in gems for relics, and therefore have some control over your gameplay feel. This is, admittedly, quite thin, as the level traversal is the real loop here. And by loop, yeah, you go back into the hole in the ground caused by the schemes of (checks notes) Drill Knight, to pursue him and your pilfered loot, over and over until you get to the end. I haven’t gotten to the end, but all reports I have read seem to suggest a reasonably short experience of around five hours if you slightly backseated a 100% completion of collectibles, and were any good at it. I, for one, am not enhanced in my ability to play platformers whichever way the action in the game is moving toward, be it down, up, or the traditional right.

I cannot comment on other versions or platforms, but the PC version (with a controller) was responsive, looked great, and sounded superb. Another highlight of this series is the music, and this is no exception. Shovel Knight has consistently managed to find that sweet spot of nostalgia and newness, evoking something at once familiar and yet not tired, or second-hand. With a toe dipped into the one-more-round paddling pool, there is a different motivation than a traditional level-beating goal. It puts a lot of the load onto the satisfaction of competency through iteration. If you must repeat sections (however differently randomised) you get a keen sense of your change as a player. Part of my love of Hades for instance, was the creeping skill wall. The risk is, perhaps, how this sense of progression is felt by the player, and those permanent upgrades do help, but sometimes short play time can do it too. I will see where the load shifts to, or whether the pursuit of collectibles rears its strange head.

All in all, Dig is as consistent, enjoyable, and effective as ever. I consider these games to be a part of the high-water mark of the new platforming set. With the exemplary visual design, they’re not afraid to try these twists, like Pocket Dungeon, to capture a whole new way to engage with their gorgeous world and loveable characters.

Overall 8/10

Wednesday, 22 December 2021

Shovel Knight Pocket Dungeon (Steam/Switch)

 

Written by Thomas G.J Sharpe

The titular shovel-wielding warrior returns in a block-puzzle-rogue-lite hybrid that I found I fell in love with a bit In a tightly designed, densely artistic, and joyful puzzler, Shovel Knight: Pocket Dungeon manages to straddle casual and challenging game types which will cater for a broad range of tastes.

There is something ineffable, something contradictory about the fresh-vintage-ness of the Shovel Knight games. Pulling from a timeless past of games, I’d like to believe the Knight abandoned their post in Link to The Past (as a Hyrule soldier) and made their own weird way in the world. In this latest iteration, there’s the plinky tones of the track “Atropos” playing from Columns, harbinger of the opioid crisis Dr. Mario (not a real doctor), and harpoon propaganda Bust-A-Move. Shovel is stuck in a puzzle-centric kingdom beset by absurd amounts of cracking assets. There is such a bevy of characters, very few lazy blob types, that populate the world that it is genuinely impressive to witness. World-building in such contained venues is a true skill.

These little venues are block puzzles which hurl enemies, pickups, and obstacles onto a grid that Knight has to survive long enough in to reveal an exit. Moving onto an enemy will cause damage to be taken and delivered, forcing tactical movements between enemies and health potions. Chains of similar types will prompt bigger rewards, adding an organisational level to the puzzle. Shops and side routes reveal themselves, chests and additional skills can be accessed for currency and powers. Bosses with unique skill sets appear after a bunch of stages, and the defeated characters are added to a playable roster back at base camp. Each of these knights have a different feel, expanding game approaches and styles. I was reminded of Nuclear Throne, where the characters shape the feel of a repetitive game to something fresh almost every time. Much like Throne, these knights are full of character, from only a few sprite frames and lines of dialogue.

To further bust open this title for all to enjoy there are a bunch of mutators for the difficulty of the game. Set your puzzle handicap and jump in, and it has you hooked. Ordinarily, puzzlers of this ilk with their strategies and mastery summon strict ceilings for me. I resent mastery of systems as a requirement as (what I feel I am) a pragmatic and low-attention player. These game settings help me dial in, more specifically, a way in to enjoy a game that I would otherwise perhaps have bounced off of.

There is something to be said in the actual, and also the impression, of just-making-it. When in the shovelly block-boxes, feeling close to the edge of failure is a big part of the experience for me. And I don’t much care whether it is suited to my ability. Pocket Dungeon is invitational and accessible to me where other puzzle games are clumsier with their delivery, whatever their core loop.

Shovel Knight: Pocket Dungeon is a game that has managed to capture something special for me in the puzzle genre (much like my gushing adoration for the Kingdom Rush series in the tower defence world). There is scope for a casual experience, but also a more devilish time, in an energetic, exciting world that is seeped in a clever and engaging sensibility. And all in a block-puzzle game. A ‘lil piece of fantastic.

Overall 9/10

Wednesday, 8 January 2020

Shovel Knight: Specter of Torment Review (Switch)


The second expansion campaign has players take on the role of Specter Knight and acts as an origin story for the events of the main game. Unlike Plague of Shadows, Specter of Torment does not use a world map. Instead players enter the different levels from a portal in the cursed knight’s castle. This streamlines the experience and makes the game pick up the pace as you are getting directly into the action much more quickly.

The levels themselves follow the formulae of remixing those already visited in the original game for use with Specter Knight's skills set (much like with Plague of Shadows). There is some original content though as the game allows players to see and play through how Spectre Knight came into being through an interesting origin story that pops up after every few levels are completed.

The main gimmick now focuses around Spectre Knight's scythe. In order to progress around the levels players have to utilise the ability to cut though objects diagonally which causes the knight to go zooming up or down accordingly. As a result prepare to spend a lot of time in mid-air as you fly from object to object (normally over a big pit).  There are also a whole host of new sub weapons to get to grips with as well.

Overall, this is another excellent entry into the Shovel Knight franchise. Specter Knight's more aggressive style keeps the approach to the remixed levels fresh and this coupled with how you need to use the new skill set to get around makes it very different from the main game and previous expansion. It’s also somewhat easier than Plague of Shadows and much less frustrating as a result.

Overall 8/10

Wednesday, 18 December 2019

Shovel Knight: Plague of Shadows Review (Switch)


The first major expansion released for Shovel Knight focuses on Plague Knight as the protagonist and runs in parallel to the main quest. It follows the same map as the original game and presents players with a remixed set of levels designed to accommodate Plague Knight's unique skill set.

Playing as Plague Knight requires you to get to grips with using explosives with three interchangeable parts. As the adventure progresses players will acquire different casings, fuses and explosive to create different bombs that do everything from heat seeking to sending walls of flame around the levels. Even basic functions like how long the bombs take to explode and weather they are thrown high or low can be customised as you progress.

Getting used to the bomb mechanic is tricky to start with and the initial levels can seem far more difficult when playing as Plague Knight. Once you have a few things unlocked and have more options the difficulty does drop but taking down Spectre Knight in particular was incredibly frustrating with just a basic load out.

The other key gimmick of the campaign is the how the health system works. Plague Knight is somewhat more fragile than Shovel Knight but he can boost his health with potions. The increased health bar stays in place until you die. At that point it reverts back to the original base level and players will need to find more potions to increase it again. This sets up a risk strategy where it can often be safer to travel through levels with low health so as not to waste the potion effects until you get to a major obstacle.

After a tough and somewhat frustrating start we found the Plague of Shadows campaign developed into a highly enjoyable and smartly written adventure. There’s a lot of humour in the interactions between Plague Knight and the other characters and small touches like the character having to take alternate ways into the villages and other areas where ‘good guys’ are often raise a smile. Size wise it rivals the original game as well which is impressive.

Overall, if you enjoyed Shovel Knight and are up for a challenge then you should enjoy this adventure as well. It requires a completely different rhythm and approach to the original game and offers up a greater understanding of the world and characters that fans should love. It can be frustrating but once the new mechanics click you’ll be just as addicted to it as before.

8/10

Friday, 13 December 2019

Shovel Knight: Looking at all Five Amiibo


For an indie game Shovel Knight has impressively managed to have had five separate Amiibo figures created for it. Here we are going to look in more detail at what they do and how the figures hold up.

All five of the Amiibo act in pretty much the same way. Each one allows for the unlocking of exclusive challenges and fairy companions which accompany you through the game and mainly provide comic relief by doing little actions like riding on enemies or trying to pick up jewels. On top of this the Amiibo Knight three pack also unlocks an exclusive cosmetic set of armour for each character and knight related spirits in Super Smash Brothers Ultimate.

The Blue and Gold Shovel Knight both unlock the same Shovel Knight related content (aside from some gold looking armour). With these you get customisation options for the appearance of your Shovel Knight. It also unlocks the ability to play through as Custom Knight. Here you level up by collecting gold and unlock new abilities and relics as you go (some of which are exclusive to this mode and comically overpowered to boot). It offers a different way to play and is the most significant reason to track down either of the Shovel Knight figures.

All the Amiibo are impressively detailed with King Knight being our personal favourite. How essential they are depends on how much you love the game. The Shovel Knight figures are definitely worth tracking down as they add a genuinely new and unique way to play the game. The Three pack is more cosmetic so a lot will depend on how much you like the actual figures themselves. Look at our pictures below to see just how detailed these figures are.


 

Thursday, 12 December 2019

Shovel Knight: The Shovel of Hope Review (Switch)



Shovel Knight has been around a long time now. We loved it when we tried the PC version out originally and found it had lost none of its magic on the PS4, Vita or Wii U, in fact it became only the third game to receive a 10/10. Another in the long line of retro styled platformers, it has always had something a little bit special about it.

The game follows the tale of Shovel Knight who used to act as one of the champions of the land, defending it from evil along with his companion Shield Knight. One day the two knights fall fowl of a cursed amulet in a magic tower. Shovel Knight awakens to find Shield Knight has been sealed in the tower and the entrance is now impassable. While Shovel Knight hides away from the world the evil forces of the enchantress take hold. In doing so she unseals the magic tower and Shovel Knight sets off to rescue Shield Knight and stop the evil.

Shovel Knight is a platform game that wears its influences very plainly on its sleeve. There’s a  bit of Mega Man in there, (though you don’t take powers from fallen bosses), Some Duck Tales style bouncing, a bit of Castlevania 2 and 3 with the sub weapons and even a touch of Dark Souls. The thing that sets it all apart though is while all these elements are identifiable the game feels like something unique. It’s not just a trip down memory lane but a game that has taken key elements and forged its own identity with them.

The graphics and music are 8-bit themed and it certainly feels like the sort of thing you could be playing on a NES or Master System. Despite the potential limitations of the style each level is filled with detail and they each have their own clear identity. This is where the main Mega Man influence comes and it keeps things fresh as you never really know how an enemy boss knight’s stage is going to have to be approached until you get into it.

The adventure is set across a map screen with locks at the edge of it. Defeating the correct enemy boss knights releases the locks and allows you to move to the next section. As well as the enemy castles there are villages where you can get new gear and special levels which offer up gems or unique adventures for our hero to conquer (You can also go and speak to a big fish thing which fills up empty chalices with magic). You’ll need all the gems you can find as it acts as the in game currency and allows you to buy a whole host of secondary weapons and shovel and armour upgrades.

It should be pointed out that though the game is called Shovel Knight, this is not a title in the same vein as Steam World: Dig or Spelunky. It’s very much a platformer in the Mega Man or Castlevania style with skilful jumping and boss fights on the menu for intrepid explorers. The game is challenging but it has a very well balanced difficulty curve and we never felt completely out of our depth. Levels also have a large amount of checkpoints and there is no lives system in place so you can keep continuing. The main penalty for death is losing a chunk of your money. When this occurs it hangs around the area you died and must be reclaimed. If you die again then it’s gone, much like Dark Souls.

It’s a game that wants you to keep playing it. The constant supply of gems and available upgrades, the gradual revealing of the map, the extra levels – it all just keeps you wanting to see what else is out there and what’s going to be next and there is always something more to see. You’ll get random monsters and bosses roaming the map like in Mario 3 or pick up a new weapon and be able to complete a level you couldn’t before. You’ll just keep going and going until the end and then there’s always new game +.

Overall, Shovel Knight is a brilliant game. Everything is does it does well and everything works. It’s balanced and challenging and constantly offers up new surprises. The controls work perfectly, the levels and enemies are well designed and there’s a nice chunk of humour in there as well. This probably is it for the 8-bit retro styled platformer as to beat this would really take something. We tried and tried but it simply cannot be faulted. It’s just a magnificent game.

Overall 10/10

Friday, 15 May 2015

Shovel Knight Review (PS4/PS Vita)


Shovel Knight has been recognised as a great game on both the PC and Nintendo formats so it’s great to see it finally come to PSN. Another in the long line of retro styled platformers, it has always had something a little bit special about it. It’s taken a while to get here from the PC and we are delighted to say that it’s still as excellent as ever.

The game follows the tale of Shovel Knight who used to act as one of the champions of the land, defending it from evil along with his companion Shield Knight. One day the two knights fall fowl of a cursed amulet in a magic tower. Shovel Knight awakens to find Shield Knight has been sealed in the tower and the entrance is now impassable. While Shovel Knight hides away from the world the evil forces of the enchantress take hold. In doing so she unseals the magic tower and Shovel Knight sets off to rescue Shield Knight and stop the evil.

Shovel Knight is a platform game that wears its influences very plainly on its sleeve.  There’s a  bit of Mega Man in there, (though you don’t take powers from fallen bosses), Some Duck Tales style bouncing, a bit of Castlevania 2 and 3 with the sub weapons and even a touch of Dark Souls. The thing that sets it all apart though is while all these elements are identifiable the game feels like something unique. It’s not just a trip down memory lane but a game that has taken key elements and forged its own identity with them.

The graphics and music are 8-bit themed and it certainly feels like the sort of thing you could be playing on a NES or Master System. Despite the potential limitations of the style each level is filled with detail and they each have their own clear identity. This is where the main Mega Man influence comes and it keeps things fresh as you never really know how an enemy boss knight’s stage is going to have to be approached until you get into it.

The adventure is set across a map screen with locks at the edge of it. Defeating the correct enemy boss knights releases the locks and allows you to move to the next section. As well as the enemy castles there are villages where you can get new gear and special levels which offer up gems or unique adventures for our hero to conquer (You can also go and speak to a big fish thing which fills up empty chalices with magic). You’ll need all the gems you can find as it acts as the in game currency and allows you to buy a whole host of secondary weapons and shovel and armour upgrades.

It should be pointed out that though the game is called Shovel Knight, this is not a title in the same vein as Steam World: Dig or Spelunky. It’s very much a platformer in the Mega Man or Castlevania style with skilful jumping and boss fights on the menu for intrepid explorers. The game is challenging but it has a very well balanced difficulty curve and we never felt completely out of our depth. Levels also have a large amount of checkpoints and there is no lives system in place so you can keep continuing. The main penalty for death is losing a chunk of your money. When this occurs it hangs around the area you died and must be reclaimed. If you die again then it’s gone, much like Dark Souls.

It’s a game wants you to keep playing it. The constant supply of gems and available upgrades, the gradual revealing of the map, the extra levels – it all just keeps you wanting to see what else is out there and what’s going to be next and there is always something more to see. You’ll get random monsters and bosses roaming the map like in Mario 3 or pick up a new weapon and be able to complete a level you couldn’t before. You’ll just keep going and going until the end and then there’s always new game +.

Overall, Shovel Knight is a brilliant game. Everything is does it does well and everything works. It’s balanced and challenging and constantly offers up new surprises. The controls work perfectly, the levels and enemies are well designed and there’s a nice chunk of humour in there as well. This probably is it for the 8-bit retro styled platformer as to beat this would really take something. We tried and tried but it simply cannot be faulted. It’s just a magnificent game.

Overall 10/10

Monday, 10 November 2014

Shovel Knight Review (Wii U)


Shovel Knight has been looking like a good game for a very long time and we loved it when we tried the PC version out, in fact it became only the third game to receive a 10/10. Another in the long line of retro styled platformers, it has always had something a little bit special about it. It’s taken a while to get here from the PC and we are delighted to say that it’s still as excellent as ever.

The game follows the tale of Shovel Knight who used to act as one of the champions of the land, defending it from evil along with his companion Shield Knight. One day the two knights fall fowl of a cursed amulet in a magic tower. Shovel Knight awakens to find Shield Knight has been sealed in the tower and the entrance is now impassable. While Shovel Knight hides away from the world the evil forces of the enchantress take hold. In doing so she unseals the magic tower and Shovel Knight sets off to rescue Shield Knight and stop the evil.

Shovel Knight is a platform game that wears its influences very plainly on its sleeve. There’s a  bit of Mega Man in there, (though you don’t take powers from fallen bosses), Some Duck Tales style bouncing, a bit of Castlevania 2 and 3 with the sub weapons and even a touch of Dark Souls. The thing that sets it all apart though is while all these elements are identifiable the game feels like something unique. It’s not just a trip down memory lane but a game that has taken key elements and forged its own identity with them.

The graphics and music are 8-bit themed and it certainly feels like the sort of thing you could be playing on a NES or Master System. Despite the potential limitations of the style each level is filled with detail and they each have their own clear identity. This is where the main Mega Man influence comes and it keeps things fresh as you never really know how an enemy boss knight’s stage is going to have to be approached until you get into it.

The adventure is set across a map screen with locks at the edge of it. Defeating the correct enemy boss knights releases the locks and allows you to move to the next section. As well as the enemy castles there are villages where you can get new gear and special levels which offer up gems or unique adventures for our hero to conquer (You can also go and speak to a big fish thing which fills up empty chalices with magic). You’ll need all the gems you can find as it acts as the in game currency and allows you to buy a whole host of secondary weapons and shovel and armour upgrades.

It should be pointed out that though the game is called Shovel Knight, this is not a title in the same vein as Steam World: Dig or Spelunky. It’s very much a platformer in the Mega Man or Castlevania style with skilful jumping and boss fights on the menu for intrepid explorers. The game is challenging but it has a very well balanced difficulty curve and we never felt completely out of our depth. Levels also have a large amount of checkpoints and there is no lives system in place so you can keep continuing. The main penalty for death is losing a chunk of your money. When this occurs it hangs around the area you died and must be reclaimed. If you die again then it’s gone, much like Dark Souls.

It’s a game that wants you to keep playing it. The constant supply of gems and available upgrades, the gradual revealing of the map, the extra levels – it all just keeps you wanting to see what else is out there and what’s going to be next and there is always something more to see. You’ll get random monsters and bosses roaming the map like in Mario 3 or pick up a new weapon and be able to complete a level you couldn’t before. You’ll just keep going and going until the end and then there’s always new game +.

Overall, Shovel Knight is a brilliant game. Everything is does it does well and everything works. It’s balanced and challenging and constantly offers up new surprises. The controls work perfectly, the levels and enemies are well designed and there’s a nice chunk of humour in there as well. This probably is it for the 8-bit retro styled platformer as to beat this would really take something. We tried and tried but it simply cannot be faulted. It’s just a magnificent game.

Overall 10/10

Monday, 14 July 2014

Shovel Knight Review (PC)


Shovel Knight has been looking like a good game for a very long time. Another in the long line of retro styled platformers, it always seemed to have something a little bit special about it. It’s taken a while to get here and we are delighted to say that it seems to have been very much worth the wait. 

The game follows the tale of Shovel Knight who used to act as one of the champions of the land, defending it from evil along with his companion Shield Knight. One day the two knights fall fowl of a cursed amulet in a magic tower. Shovel Knight awakens to find Shield Knight has been sealed in the tower and the entrance is now impassable. While Shovel Knight hides away from the world the evil forces of the enchantress take hold. In doing so she unseals the magic tower and Shovel Knight sets off to rescue Shield Knight and stop the evil.

Shovel Knight is a platform game that wears its influences very plainly on its sleeve.  There’s a  bit of Mega Man in there, (though you don’t take powers from fallen bosses), Some Duck Tales style bouncing, a bit of Castlevania 2 and 3 with the sub weapons and even a touch of Dark Souls. The thing that sets it all apart though is while all these elements are identifiable the game feels like something unique. It’s not just a trip down memory lane but a game that has taken key elements and forged its own identity with them.

The graphics and music are 8-bit themed and it certainly feels like the sort of thing you could be playing on a NES or Master System. Despite the potential limitations of the style each level is filled with detail and they each have their own clear identity. This is where the main Mega Man influence comes and it keeps things fresh as you never really know how an enemy boss knight’s stage is going to have to be approached until you get into it.

The adventure is set across a map screen with locks at the edge of it. Defeating the correct enemy boss knights releases the locks and allows you to move to the next section. As well as the enemy castles there are villages where you can get new gear and special levels which offer up gems or unique adventures for our hero to conquer (You can also go and speak to a big fish thing which fills up empty chalices with magic). You’ll need all the gems you can find as it acts as the in game currency and allows you to buy a whole host of secondary weapons and shovel and armour upgrades.

It should be pointed out that though the game is called Shovel Knight, this is not a title in the same vein as Steam World: Dig or Spelunky. It’s very much a platformer in the Mega Man or Castlevania style with skilful jumping and boss fights on the menu for intrepid explorers. The game is challenging but it has a very well balanced difficulty curve and we never felt completely out of our depth. Levels also have a large amount of checkpoints and there is no lives system in place so you can keep continuing. The main penalty for death is losing a chunk of your money. When this occurs it hangs around the area you died and must be reclaimed. If you die again then it’s gone, much like Dark Souls.

It’s a game wants you to keep playing it. The constant supply of gems and available upgrades, the gradual revealing of the map, the extra levels – it all just keeps you wanting to see what else is out there and what’s going to be next and there is always something more to see. You’ll get random monsters and bosses roaming the map like in Mario 3 or pick up a new weapon and be able to complete a level you couldn’t before. You’ll just keep going and going until the end and then there’s always new game +.

Overall, Shovel Knight is a brilliant game. Everything is does it does well and everything works. It’s balanced and challenging and constantly offers up new surprises. The controls work perfectly, the levels and enemies are well designed and there’s a nice chunk of humour in there as well. This probably is it for the 8-bit retro styled platformer as to beat this would really take something. We tried and tried but it simply cannot be faulted. It’s just a magnificent game.

Overall 10/10